One thing that everyone does agree about is testing and experimenting with different setups until you find the sweet spot with your existing rig. A number of free and priced solutions exist for both down-sampling and up-sampling (as long as all of your equipment including soundcard can sample 96kHz). MIDI is a protocol first defined in the early 80s as a way for electronic musical instruments to communicate and synchronise with. If you do have the facility to experiment with both sample rates by all means do so. The TASCAM US-122 mkII builds on the US-122s experience to bring to the market a slim and portable USB Interface DAW now equipped with USB 2.0 and 24-bit/96kHz resolution sound recording.
The human ear can only perceive sounds within the 20Hz to 20kHz range. There seems to be a general disagreement between the professional audio community about the superiority of 96kHz sampling over 48kHz.Īudio CDs are recorded at 44.1kHz (16-bit). With USB 2.0 carrying 40 times the speed of USB 1 / 1.1 the TASCAM US-122L upgrades its recording capabilities from 48kHz as found in the TASCAM US-122 to 96kHz.
The TASCAM US-122L builds on the successful formula offered by the US-122 by upgrading USB to version 2 and increasing recording to 96kHz from 48kHz.
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